PDF Download Pastel Painting Atelier: Essential Lessons in Techniques, Practices, and Materials, by Ellen Eagle
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Pastel Painting Atelier: Essential Lessons in Techniques, Practices, and Materials, by Ellen Eagle
PDF Download Pastel Painting Atelier: Essential Lessons in Techniques, Practices, and Materials, by Ellen Eagle
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Review
"Pastel Painting Atelier: Essential Lessons in Techniques, Practices, and Materials isn’t simply about pastel techniques, but how to truly capture a life and its full worth on paper. Read it like a novel, as Kingston’s foreword implies, and you’ll gradually pick up on Eagle’s ability to read a face and translate it to the surface."-The Artists Magazine, December 2013"Unlike most books about art, unlike most books written for creative people, this one provides several hours of quiet time with the artist at work in her studio, in her mind, with her eyes, with her hands. She sees beauty in the tiniest of details: the curve of the silhouette of a woman’s face, the arrangement of the old pipes beneath the even older sink in the corner of a Manhattan studio, the private thoughts that take shape in a best friend’s eyes. This is a gentle book, an inspirational one with the promise of some instruction for the visual artist, but you need not be an artist to see what she sees, and to enjoy the way that Ms. Eagle perceives and so lovingly sees the world."-Digital Insider, September 2013 "I don’t think I’ve ever seen a book that deals with pastel in such breadth and depth."-artbookreview.net
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About the Author
ELLEN EAGLE holds a BFA with Distinction in Drawing from the California College of Arts and Crafts. Her work is represented by Forum Gallery, New York, and has been shown in the National Academy Museum, the Butler Institute of American Art, the Frye Art Museum, the Albright-Knox Art Gallery, and in the Lingnan Museum of Fine Arts in China. Her paintings and writing have appeared in the New York Times, American Artist, The Artist’s Magazine, the Pastel Journal and numerous other publications. She is the recipient of several grants from the Elizabeth Greenshields Foundation and the Dodge Foundation. A sought-after teacher, Eagle is on the faculty of the Art Students League of New York and has given workshops throughout the United States and in Italy. Visit her at EllenEaglePortraits.com.
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Product details
Hardcover: 192 pages
Publisher: Watson-Guptill (April 23, 2013)
Language: English
ISBN-10: 082300841X
ISBN-13: 978-0823008414
Product Dimensions:
9.3 x 0.8 x 11.3 inches
Shipping Weight: 2.6 pounds (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
86 customer reviews
Amazon Best Sellers Rank:
#212,332 in Books (See Top 100 in Books)
This is a fabulous book! Eagle paints and writes beautifully. She is as intelligent and articulate as she is talented as a painter. A rare combination!But is it a “How to Bookâ€?It actually IS A HOW TO BOOK. In the final analysis you do not create good paintings by following recipes. You do not create good paintings by copying someone else’s style or by adapting clever techniques.You create good paintings in what Yeats called “The Rag and Bones Shop of the Heartâ€. Eagle gives us a glimpse of her very own heart, sensitivity and perception.That’s the source folks! Paint what you love; feel it deeply, and the techniques will come.
Definitely not what I expected. Pretty much zero info on how to get started in pastels. Mostly, just the author showing off her considerable talents while surveying her fascination with pastel usage in portraiture. I wanted a beginners book to help me get started on my main interest which is learning to do landscapes, etc. with pastels. Wrong book for that. Nice pictures of beautiful portraits through the ages and a few, spare notes on materials and history of the medium. Not much else.
I have a deep love of working with pastels. It began in childhood when my grandfather (trained at the academy in Rome in the early 1900s) created pastel paintings during family visits, and sometimes let me use sticks from his huge oak chest of drawers that contained his complete set of Rembrandt colors. It left me with an appreciation for pastel portraiture, in particular (my grandfather's specialty), that only increased as I found the pastel work by Degas, for example, and other artists traditionally considered oil painters. But pastel was not taught at my art schools, nor are there many publications about them. Over the years I did read books on pastel and sometimes followed pastel forums on artists' community sites. But none of these experiences matched memories of how my grandfather worked with them, and the primary focus seemed to be plein air landscape painting.So it has been a joy to find Ellen Eagel's book, and pore over her lucid, thoughtful writings on the medium. In particular, I found her use of various pastel hardnesses refreshing. (It seems these days that many artists develop a rather lopsided worship of the softest sticks they can find.) Also, the way she plays with transparency and opacity (allowing the ground to show through many color areas, using blending as a deliberate effect rather than as the default mode of pigment application) was a revelation for me. This is an artist who has developed her craft to a very high level, and even better, has a generous and candid teaching style that is a pleasure to read. Her book is not a "how-to manual" that describes a single method of creating works in pastels. Rather, it feels more like a studio visit, where she sits and explains the things you're seeing her work with. Just as my grandfather once did.
Ellen Eagle is a brilliant pastelist. I read and watch everything she publishes and desperately want to study with her one day... If you want to understand the medium, this is a terrific book... She even provides her formulation for pumice board priming... It's a wonderful and very helpful book as well as providing background into the material itself.
Gives you insight into how one professional artist goes about the process of creating a magnificent portrait, one that not only displays the subject realistically, but also somehow shows you the soul and mood. Ms Eagle shows you her tools and studio, and techniques she employs in her work, which is very enlightening. I think anyone with an interest in any medium, but especially pastel, would get a lot of knowledge and enjoyment from this book.
A wonderful book that is a pleasure to read. The author's sharing of her creative process and chapters on the step-by-step building of a pastel painting are invaluable. Suggestions about materials, how to evaluate a work in progress and how to correct mistakes are very helpful. The book illustrates vast expressive possibilities and quiet qualities of pastel, a medium that had its golden age more than two centuries ago but now is rather under-appreciated. It also highlights the art of looking at and truly seeing another person, without which portraiture is impossible. Those in search of bulleted supply lists and shortcuts to making fast and easy paintings may be disappointed. But if they slow down and read carefully through this book, they may discover something new to them. It can inspire an art student or a seasoned painter seeking to expand his or her repertoire and to explore a new medium.
Ellen Eagle's book, "Pastel Painting Atelier" is the most complete, informative book on pastel painting I have seen. I am a pastelist, and have a collection of pastel books, and NONE compare in clarity of information, or quality of photography. I Have studied with several different pastel artists, the instruction in the book is like being in a pastel workshop. Delightful to read, and a beautiful book to add to my collection. I highly recommend it for beginners and experienced artists alike.
Ellen Eagle's new book about pastel painting is a great addition to the field. It is not just another 'how-to' book, but goes into the thought process of the artist. Understanding the mental process of painting is more important than just being able to copy something's appearance. I thought it was very interesting to read about her interactions with her models. I read the book first on my Kindle, then got the colour one from the library, so I appreaciated both the technical parts, then seeing her work, which is top notch.
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